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  • April 28, 2026 • 123

    Festival reaffirms Togo as a jazz hub

  • April 24, 2026 • 285

    Music shaped by ancestry, improvisation, and transcendence

  • April 23, 2026 • 263

    Brass bands showcase tradition and experimentation

  • April 21, 2026 • 190

    Set design mirrors dynamism of contemporary African performance

  • April 17, 2026 • 229

    Shifting portraits of the complexities of male identity

  • April 17, 2026 • 220

    Rhythmic footwork and grounded movements

  • April 16, 2026 • 511

    Raw physicality with spiritual introspection  

  • April 16, 2026 • 260

    Imposition, interruption, and provocation by LED screen

  • April 15, 2026 • 173

    Sonic meditation on tradition and transformation

  • April 15, 2026 • 291

    Subtle exposure of constraints that shape female identity

  • Youthful bands showcase Northern Ghanaian rhythms in Tamale

    September 20, 2013 • News • 4805

    The power, beauty and complexity of traditional musical resources from Northern Ghana overwhelm the Youth Home Centre in Tamale as four youthful bands perform to wild cheers.

    A cool evening breeze, which constantly sway the leaves of trees that surround the venue, equally seem to carry rhythms from the festival grounds to the leafy environs of the Youth Home Centre.

    Youth Home Band eventually win the competition, which is characterized by a bold attempt to effectively fuse diverse Northern rhythms with highlife, jazz, funk, soul, reggae and afro beat among others to create a new synthesis.

    Clad in colourful costumes, the groups exhibit showmanship as they struggle to impress the judges, which comprise Selorm Agra (music tutor, Bagabaga Training College), Fuzzy Kombatt (former director of CNC Tamale), Delali Alormenu and (former MUSIGA NR chairman) among others.

    Bizung, North Wings and Bright Stars bands took the 2nd, 3rd and 4th positions in the competition, which encourage the extension of local rhythms to their contemporary levels.

    Polyrhythmic patterns coupled with ancient praise singing traditions from Northern Ghana surprise the judges who commend the groups for their efforts while admonishing them to continue training and rehearsals.

    Despite the apparent lack of harmony and effective blending of local /western instruments, which characterized performances by all groups, the attempt to harness and make use of Northern Ghanaian rhythms in a contemporary vein appears to be in full swing.

    A pursuit when fully achieved is likely to result in a subtle musical approach that stand at the interface of tradition and modernity thereby sowing the seeds for full-blown innovative musical creations from the North.

    Goethe-Institut Ghana supported the festival, which was organized by the Institute for Music and Development in partnership with Arterial Network Ghana.

     

    Read More »
  • African Footprint mesmerize audience at Folklore Festival

    August 30, 2013 • FeaturedArticle, News • 4984

    A dramatic fusion of the elements of Kpanlogo, Kundum, Bawa, Sikyi and Gahu by African Footprint International, last week received a loud applause at the Alsion Theatre in Sønderborg, Denmark.

    In a magnetic performance, which forms part of the 2013 edition of the Triangle Folklore Festival, the group showcased the variety and beauty of traditional Ghanaian dance and music that have been effectively blended with components of Danish music.

    With a cool blend of loud Ghanaian percussive instruments alongside guitars and remarkable voices from Danish musicians Mette Marie Jensen Ørnstrup / Mette Bak Nielsen, the group managed to capture the attention of the largely elderly audience, who cut in with intermittent applause.

    Directed by Samuel Addison with Jens Pieter on guitar, Abraham Mensah on percussion alongside Kenyan acrobats, the production, which dilates on courtship, love, childbirth, religion and conflict is highly memorable.

    Undeniably, it unfolded as a kind of snowballing manuscript that point to custom and culture as well as hints of history while recalling ancient story-telling traditions of Ghana.

    Highly expressive / well-coordinated movements and infectious rhythms coupled with intense energy from the stage created an atmosphere of an African celebration, said Mia Perdesen, an anthropologist in Sønderborg.

    “It was interesting to see Danish musicians on stage with their Ghanaian colleagues – what an amazing cross cultural collaboration”, added Brit Hansen, a musician / dancer from the capital Copenhagen.

    Triangle Folklore Festival, which began in 1995, has witnessed the participation of fantastic folklore groups from all over the world. They have filled public squares in various cities with colourful folklore performances, which has been a great pleasure to the local people.

    Several groups from Slovakia, Ukraine, France, Serbia, Lithuania, Turkey, Canada, Indonesia, Denmark and the Basque Country participated in Triangle Folklore Festival 2013.

    A multi national group based in Cape Coast, African Footprint International is renowned for a subtle use of Ghanaian traditional rhythms, which they strikingly blend with western beats to create a new fusion that has captivated audiences in Europe, the United States and other parts of Africa.

    Godsbanen, Royal Academy of Music (Århus), Addison’s Mighty Works Apps, African Footprint Legends, Keld Hosbond, Klejtrup Musikefterskole, Den Rytmiske Højeskole, Shanghai Akademi, Sydjurs Musikskole, Brandbjerg Højskole and www.artsghana.com are supporting the tour of Denmark.

    By John Owoo
    Sønderborg – Denmark

    Read More »
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