By John Owoo

Accra – Ghana

An ongoing group exhibition at Crystal Homes in Accra brings together a dozen artists whose diverse visual languages converge on a shared commitment to color as both subject and strategy.

Curated by Lily Sefa-Boakye and set within the refined interior of the residential space, the exhibition transforms Crystal Homes into a vibrant arena where painting, mixed media, and expressive abstraction engage in dynamic dialogue.

Titled Spectrum in Colour – Many Artists One Vision, participating artists are Nicholas Kowalski, Kofi Agorsor, Larry Otoo, Ganriel Eklou, Seth Clottey, Hilton Korley, Barry Nze, Adjei Sowah, Felix Awotwe, Fredrick Oko Mantey, Sedem Dzade, and David Adane.

At first glance, the exhibition lives up to its title. Bold chromatic choices dominate the walls, creating an immersive visual rhythm that moves from restrained tonal studies to exuberant bursts of pigment. Yet beneath this surface celebration of color lies a deeper inquiry into identity, memory, urban life, and emotional states—concerns that recur across the works despite the artists’ differing approaches.

Nicholas Kowalski’s works lean toward textured abstraction, with layered surfaces suggesting psychological depth. His use of color feels meditative, inviting viewers to slow down and engage with subtle transitions rather than immediate spectacle. In contrast, Kofi Agorsor’s paintings are energetic and socially attuned, using expressive brushwork and figurative hints to evoke the pulse of everyday life and human interaction.

Larry Otoo’s contribution adds another dimension to the exhibition through his distinctive handling of form and space. Drawing on musicians, his compositions often balance structure with spontaneity, allowing color to guide the eye while leaving room for interpretation. Gabriel Eklou, meanwhile, brings a lyrical sensibility to the show. His works appear introspective, using harmony and contrast to explore inner landscapes and emotional resonance.

Seth Clottey’s presence in the exhibition firmly anchors it within contemporary Ghanaian artistic discourse. Known for his innovative use of materials and conceptual depth, his works refine beauty by capturing landscapes, market sounds, and city traffic, alongside sculptures, while blending traditional Ghanaian influences with contemporary flair.

What makes the exhibition compelling is not merely the diversity of styles on display but the curatorial coherence that allows these differences to speak to one another. The exhibition avoids the pitfalls of overcrowding by giving each artist space to breathe, while the Crystal Homes setting adds an unexpected intimacy to the viewing experience.

Ultimately, the exhibition affirms color as a universal language—one capable of conveying personal narratives, social commentary, and aesthetic pleasure at once. It is a timely reminder of the strength of collective vision in Ghana’s contemporary art scene, where many voices can speak as one without losing their individuality.

The exhibition ends on Thursday, January 8, 2026.

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